陳宜彣，出生於台南，目前定居台北市。自大學時期開示接觸攝影，早期大多以自拍的手法，試圖探討自我認同與社會角色、適應障礙等相關的議題，重視人體與環境之間的關係，後來接觸了當代攝影，開始嘗試用不同的方式製造影像，例如合成、拼貼、錄像等。讀研究所期間拍過幾個廢墟，發覺那些被棄置的建築並非死亡，而是另一種生命形態持續存在。

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I-Wen Chen, born in Tainan and now residing in Taipei, began exploring photography during her university years. Her early works often employed self-portraiture as a means of delving into themes of self-identity, societal roles, and challenges in adaptation. Deeply attuned to the interplay between the human body and its environment, her focus gradually expanded with an introduction to contemporary photography. This shift saw her experimenting with diverse techniques such as compositing, collage, and video. During her graduate studies, she ventured into photographing abandoned ruins, uncovering in these forsaken structures not a sense of death but a reimagining of life—an enduring existence in another form.